Howandizindizindize No. 1
You’ve looked here. You’re hooked
there. As it goes
longshoremen and the radio plays
incessantly a tune
like an alligator, the skin a rhino
and a pair of
tube socks. It’s a better year,
seemingly full
of anecdotes, that is, stories told
amongst friends
and--. You’ve looked here. You’re
hooked, constantly
repeating small movements, a hair
from a dromedary
clings to your vest. It is all you
have to remember
the hours in the sun. You’ve never
been to Sudan,
taken a day to polish the collection
of redwood
planks, the loose fitting hammer
heads and bruises.
It’s easy to hum a song, sink into
the bottom of
the pool, float off in the wind, a
rip-tide
a talent for falling apart before
you’ve put
anything together. Bleed, too,
you’re hooked, looking
back, treason to the birth, a born
winner and
looking down, good for something,
maybe to rub sides
with the automatic weapons or prove
yourself by
tragic consequence, by playing
marbles, muttering to no
one, left beside the road forever in
a trough
a furrow, one among many as waves in
black
and white a discovered rhythm
Howandizindizindize
Howindizindizindize plastered across
the living room
ear to ear and slowly gone left to
circle
peace by momentary blur piece by
born to whatever we are.
Howandizindizindize
No. 2
For a television series they call it
jumping
the shark. That moment when Happy
Days
violated its conceit and,
Howandizindizindize,
cool exceeded its bounds. The party
is breaking
up and I need to sleep.
Howandizindizindize
there is no hope for you, blanket
neck and a
tired lasso, we’ve expected this for
some time
all of us on the cement stairs,
better than you
for knowing our place as you flail
your ideas
around looking for a chance at
impartiality
running home as fast as you can it’s
a wonder
you didn’t get kicked aside or
trampled. But
you watched as the fight started in
the bathroom
moved outside and into the street it
went on
forever and you watched quietly
cheering for
someone who hardly knew you you
watched
planning to be noticed, near the
alley now
two thousand miles from where you
were meant
to grow up every ounce of you lies
on that
street every escape, all the
streetlights
garage bands and despair disguised
as
dignity holds on like music in minor
keys
playing endlessly, respectfully
negligent of
time and distance, maybe turn the
station
maybe listen closer, maybe say
it’s alright, you did the best you
could.
Howandizindizindize
No. 3
Multiply by three the actual number
of sounds
you cannot hear. Rake flames, coals,
and fire into
the breeze near the ocean and think
you’ll
be there forever, gone now, drying
in the desert
for a time. Howandizindizindize.
You’ll come to
realize, standing beside yourself,
touching the ground
red clay and stone. It rings a
certain
falseness, a tone familiar.
Howandizindizindize, a
method of lying maybe, stories you
tell if you
could tell a story. One asks for
specifics
for a reason for the
Howandizindizindize
for blast furnace, the loop track,
darkness
and the highways around D.C.
circling for hours
getting no closer, there right now
in a Ford
pickup, riding in the back under the
canopy
across the country to protest, to
carry a
banner, scream Howandizindizindize,
stand
up for anything other than yourself.
The rain came heavy with the thunder
and
the lightning, a blue pallor, the
dust and
high wind bending palms while the
cactus
did not flinch. Monsoon season,
waiting for
the wash to run, looking along the
street
into the hills and hoping for
inspiration, anything
that says now, Howandizindizindize,
or never.
Neil wields an MFA in creative writing from the University of Minnesota. You may have seen his poems in Nimrod International Journal of Poetry and Prose, Sierra Nevada College Review, Northwest Review, Iodine Poetry Journal, Oregon East, Epicenter, Diner, or Concrete Wolf or his book reviews in Rain Taxi Review of Books. He lives with his amazing wife and two beautiful daughters in the land of 10,000 lakes.
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